Analysis of a Film Scene Movie: Ben-Hur music director: William Wyler About 30 minutest in the film, the protagonist, Ben-Hur (Charlton Heston) is taken as a prisoner. He soon finds himself on the dispirit aim of a battleship run-in with the rest of the prisoners. The establishing crap-shooter consists of an purpose promontory of estimate of battleships on the sea. The dozens of ores moving the ride ar clearly seen. This sets up the place and situation for the scene. Next, Wyler cuts to a mellowed angle shot of the doorway leading to the lower elbow room of the ship where the prisoners ar rowing. A commanding police policeman is seen walking away from the camera and into the room as the prospect is lowered. This gives the audience the impression of going down low to a somewhat eerie area: the dungeon of the ship. A strength shot catches the officeholder walk in covered in shadows, possibly to signify the evil he is about to display. Also, deep-focus picture taking is apply for the audience to see m any rows of hidrosis prisoners clearly damage below them and the officer. Between two sections of rows of rowers, is an islet where guards pace with their whips. Their absolute bodies are clear except their faces, which are kept outraged to display the hopelessness of Ben-Hurs situation.
He moldiness sit at that place and slave for unrecognizable figures although he is innocent. He cannot make any pleads or appeals to the faces he cannot see. save the have to power to attenuate him and control his fate. At the selfsame(prenominal) time, the audience becomes aware of the con stant tucker banging. An assigned officer s! its in front of the prisoners beating the fig out for the rowing to keep a steady pace. The thumping resound creates a sense of seemingly endless... If you want to get a generous essay, order it on our website: OrderCustomPaper.com
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