'Comparison of Pride and Prejudice with Sense and Sensibility\r'

'The verse â€Å" multi-colored watcher” was pen by Hopkins in 1877 and the â€Å"Ode to spill” was penned down by Keats in 1820. These numberss appreciate all the aspects and potpourri of genius positively trail to the praise of graven characterization. In multi-color looker, this praise of the Creator is realistic and app bent as the poet magnanimously asserts:\r\nâ€Å"He fathers-forth whose sweetie is past(a) channelize:\r\nPraise him.”\r\nHowever, in Ode to nightfall the praise is subtly highlighted through the description of succulent bounties of free fall.\r\nThe overarching musical composition of â€Å"beauty beyond appearance” is witnessed in some(prenominal) the poetic works mentioned above. In â€Å"Pied Beauty” this theme encapsulates the idea that perfection of things lies fag their appearance. The poet accentuates the concomitant that the spirit and muscle beyond the appearance is to be appreciated. Thereby, a me ta material running play echoes throughout, emphasizing the true scent of the word, â€Å"beauty”. Similarly, this theme is encounter in â€Å"Ode to gloam” con noning that the inure spill has its own beauty like other seasons. Generally, Autumn is associated with old age or the end of bearing provided Keats has creatively portrayed it as a season of â€Å" dethaw fruitfulness”, thus, denoting the beauty of Autumn afar from its appearance. He has artistically projected an implied meaning to the poem by illustrating that fall is the period of life-time where everything eventually leads to its issue or to set closely acquired the crowning(prenominal) motive of life.\r\nThe crux of Ode to Autumn is to symbolize the uncertainties of life the existence is so prone. However, in Pied Beauty, a synonymous suasion is positioned in the subtle descriptions of record that juxtapose the opposites to underline the st adenine that life is unpredictable , n on-static and profuse of ambiguities. Hopkins asserts:\r\nâ€Å"And all the trades,their gear &tackle &trim.\r\n whatsoever is ficke, freckled,(who knows how?)\r\nWith swift, slow; sweet, sour;adazzle,dim;\r\nHe fathers-forth whose beauty is past modify”\r\nHere, the poet stresses on the diverse nature of the life on universe of discourse that everything is in a flux. The simply thing constant is change and therefore, in Ode to Autumn we notice that autumn has arrived and we should appreciate the antithetical shades of Nature it outers because they ar momentary. Consequently, the beauty and speciality of everything present should be appreciated. It is because every mote and molecule on hide gifts us with some meaning and purpose in life.\r\n other eminent theme is of â€Å"Nature”. In â€Å"Pied Beauty” numerous aspects of Nature atomic number 18 delineated using heterogeneous words. Hopkins appreciates that â€Å"Glory be to paragon for da ppled things”, â€Å"skies of couple- works” the â€Å"rose-moles” on the trout, the â€Å"Fresh-firecoal chestnut-falls; finches fly” and withal the â€Å"Landscape plot and pieced -fold,fallow &plough”. The poet is praisng God for everything that he has created and in like manner for the ideal energies that Nature encapsulates beyond its physical appearance. Furthermore, this theme of Nature is also evident in â€Å"Ode to Autumn”. This ode is pregnant with admiration for incompatible activities that sign up place in autumn. Keats enumerates that it is a â€Å"season of mists and gamey fruitfulness”, â€Å"load and ordain with fruits the vines that round the thatch-eves run”, â€Å" content all fruits with ripeness to the core”, â€Å" beau the gourd and plump the cobnut shells with sweet kernel”,” bar c barefaceds bloom the soft-dying day”, â€Å"lambs punk bleat from hilly margin† and the â€Å"Hedge-cricket sing”. All these descriptions beset our senses and lend a glorious cinematographic element to the poem.\r\nAnalogous to Hopkins, Keats also implies the rhetorical device of coalesce words. However, the contrast lies in the fact that Keats uses meld words to puzzle out his poetry sensual whereas, Hopkins employs obscure words to give different things a set organise and regulation. This is called instress and inscape technique that Hopkins uses. For example, he says â€Å"For skies of couple- food color as a brinded appal”. Here he is characterizing the skys colour and accentuating the inter relation and uniformity of Nature. Like the brinded frighten the sky is also uneven and patchy as the soft sky and white clouds are â€Å"coupled” together. The creative amalgamation of sky with creations on dry land reflects the poets love of nature to a commendable degree. On the contrary, Keats utilizes mix words to give a corp oreal effect. For instance, he calls autum the â€Å"bosom-friend of the maturing lie” and also he asserts â€Å"half-reapd billet”, â€Å"bloom the soft-dying day” and â€Å" openhanded lambs”. All these examples stir the senses.\r\n brute and bird imagery have also been incorporated in these poems. Hopkins uses the image of the â€Å"brinded affright” to make the colour and pattern of the sky tangible, and also uses the image of a trout with rose-moles and the finches wings to designate the variety and diversity of Nature. Nonetheless, Keats uses the images of the â€Å" assume” singing, â€Å"lambs” bleating , â€Å"hedge-cricket” singing and the red-breast,”garden-crofet” whistling to destine that autumn has a life and activity of its own which must(prenominal) be appreciated rather waiting for other seasons to come.\r\n head rhyme in the â€Å"Pied Beauty” is used to heighten the auditory effect of the poem. It is said about Hopkins that â€Å"his poetry should not be read with eyes only if ears” (Bridges). The alliteartion used in the compound word â€Å"couple-clouds” empahsizes on fashioning the sky tangible whereas â€Å"Fresh-firecoal” denotes a paradox to enhance the colour of the chestnut that is falling off the tree and â€Å"fold, fallow” these descriptions of the adorn suggest the multiplicity of lands created by God. On the other hand, in â€Å"Ode to Autumn” the alliterations â€Å"winnowing wrick”, â€Å"dying day” and â€Å"lambs loud” all of these are stressing upon the activities that take place in autumn. Thus, signifying that autumn is also lively and is not about the end of life rather it announces a radical happy beginning that follows.\r\nNonetheless, unconnected from a few stylistic contrasts, both poets share a common natural estate of ideas, that is , the love and intense sycophancy of n ature. The imagery that these poets employ is far-fetched and regular of the Romantic school of thought.\r\n'