Albert , Sidney. Bernard Shaw : The Artist as Philosopher The Journal ofAesthetics and Art Criticism , 14 :4 (1956 , 419-438In Bernard Shaw : The Artist as Philosopher Sidney Albert s main point is as follows : that Shaw consciously and proudly donned the mantle of the philosophical poet , singing to philosophers and e nontextual matterhy philosophers from his dramatic scores (419 . This is primarily supported through his depth psychology of the character of Don Juan , who speaks on everything from life and revere to , of lean , local politics .
A major fraction of the cope for Albert involves how much Shaw has to sacrifice some of the philosophy for art - subsequently all , the man is writing a trifle and not a philosophical screed , so some things moldiness be sacrificed for others to flourishUltimately , Albert concludes that as artist , Shaw set out to elaborate and demo in his dramas both the frailty of men and the failings of federation which stymie human development and that he went on to argue to us that we have great potentialities , and a pressing shoot , for returns (437 . In this sense , the art versus philosophy debate takes on a meta-textual dimension , as the image of Shaw as fatigued philosopher represents the idea that his philosophy needs to be perfected , as does the men for whom the philosophy is intended . In this sense , Albert s finishing renders the debate mostly moot - it is not a core of art contending philosophy , but art serving as ! a medium for philosophy . It is...If you want to get a full essay, order it on our website: OrderCustomPaper.com
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