Albert , Sidney. Bernard Shaw : The Artist as Philosopher The Journal ofAesthetics and Art Criticism , 14 :4 (1956 , 419-438In Bernard Shaw : The Artist as Philosopher Sidney Albert s main point is as follows : that Shaw consciously and proudly donned the mantle of the philosophical poet , singing to philosophers and unprocessed philosophers from his dramatic scores (419 . This is primarily supported through his information psychology of the character of Don Juan , who speaks on everything from life and live to , of lean , local politics .
A major exposit of the cope for Albert involves how much Shaw has to sacrifice some of the philosophy for artistic creation - subsequently all , the man is writing a repair and not a philosophical screed , so some things must(prenominal) be sacrificed for others to flourishUltimately , Albert concludes that as artist , Shaw set out to illustrate and demo in his dramas both the frailty of men and the failings of rules of order which stymie human development and that he went on to declare oneself to us that we have great potentialities , and a pressing look at , for returns (437 . In this sense , the art versus philosophy debate takes on a meta-textual dimension , as the image of Shaw as dog-tired philosopher represents the idea that his philosophy needs to be perfected , as does the men for whom the philosophy is intended . In this sense , Albert s ending renders the debate mostly moot - it is not a bother of art contendin! g philosophy , but art serving as a medium for philosophy . It is...If you want to get a full essay, order it on our website: OrderCustomPaper.com
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