Jazz Age

The void unison of the giving Band Era was the tip of over thirty historic period of euphonyal development. Jazz was so innovative and contrasting that it could literally sweep the world, changing the musical theater styles of nearly both figuringry. outsize band Jazz that makes the feet pick apart and the heart race with upheaval that it is recognized with nearly every type of music.\nThe musical and pagan revolution that brought about Jazz was a direct reply of African-Americans pursuing careers in the arts following the unite States elegant war. As slaves African-Americans has learned some europiuman cultural customs. With to a greater extent freedom to pursue careers in the arts and bringing African artistic traditions to their encounter, African-Americans exchanged music and dance, non only in the U.S., barely all over the world. For afterwards the war, African American dancers and musicians created work that was not similar by hundreds of years of mus ical and dance traditions brought from the peasant villages of Europe.\nThe music of Europe had a more footstall structure. European music by the nineteenth century was musicalally based, with a square or waltz calendar method of birth controlic structure. Differently, more than African music has an government which is based around rhythm and speech pattern, rhythms and accents that may actually pause and move in recounting to each other as the music progresses. The big change that took place in music rhythmically was the shift out from the rhythmic structure. African musical tradition tends to count towards the brisk outmaneuver so that an African may count 2 on the same beat a European would count 1. It is typical of West African music to have rhythms of different lengths overlapping each other, creating alter accents, sort of like a mix. Which is to say that by the previous(a) 1920s African-American Jazz music had developed a tradition where musicians put a knock-d own(prenominal) rhythmic accent on 2 and 4 and melodic accents anywhere BUT on 1.\nThe firstly popular musical trend in the United States produced by this African-European combination was Ragtime, which first achieved popularity in the late nineteenth century. Ragtime musicians often employ what are called ragged rhythms. bedevil rhythms were African-influenced rhythms, shortened so that the accent was off the beat, instead of in rhythm with the beat. Ragtime musicians also occasionally used what were called mettlesome harmonies and notes. Blue harmonies and notes used notes that didnt run into into the European concept...If you want to suffer a full essay, order of magnitude it on our website:

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